Happy Boxing Day, quilty friends! We're having gorgeous weather along the Florida panhandle. That has allowed me to finally, FINALLY take some photos to share with you. I've had a stack of finished quilts waiting for their glamour shots before I could mail them off to
Kat for Covered in Love.
This first one is made entirely of other people's orphan blocks. The colors in the scraps are really bright and saturated! Like wiggly kindergartners, they needed just a little bit of help to calm down and play nicely together, so I sashed them with a tonal brick red and gray cornerstones. I also trimmed them all to a consistent size so they could be sewn in this even grid. The overall effect is interesting and cheerful without being chaotic, I think.
Kat sent me quite a bit of donated fabric in larger chunks, great for piecing into backings. I used all the jungle animals here, plus a few extra orphan blocks. The binding was premade by a CiL contributor, too, a nice time saver for me.
This next one came to me as finished flying geese, already sewn together into loooooooooooooooong strips. Included was a note from Gail H. who had sent it to Kat: "These pieces were given to me by LaVonne Bevens in 2000. Someone had given them to her, she said." So those geese flew from "someone" to LaVonne to Gail to Kat to me. I'm at least the fifth quilter to handle them, so it was definitely time to let these geese fly home! The note also included some photos of possible layout ideas, and this one struck my fancy. The mustard yellow fabric was also a donation. I quilted wishbones all along that yellow, using yellow thread, so it's completely invisible. Good thing I find wishbones to be rather pleasant and meditative because I doubt anyone else will even notice them.
The backing is pieced from fat quarters that were part of the same fabric line as the mustard. They are reproduction prints with Americana motifs, and super nice quality cotton. This quilt is so soft!
This one is my favorite of the bunch. Look at that sweet birdie panel! SO cute! Kat sent this to me, and I'm not sure if it was donated to her or from her personal stash (edited to add: Kat says it was donated.) I know the jelly roll strips that I used to make the 16 patches and binding were her own fabric. They were lying next to the panel in my studio and I had one of those "Aha!" moments. They look made for each other, don't they?
I love the modern, stylized design of these birds and the pretty autumn colors. The deep, rich, chocolate brown borders were also part of the Americana fabric line donation. Aaaaaaand now I want some dark chocolate.
The backing is pieced from a combination of my own yardage and donated pieces. The birdhouses at the top are a chunk I've had for ages that never went with any of my other fabrics, but it works thematically and chromatically here. Every fabric has a destiny!
All the darker pieces of the argyle came from a donated fat quarter bundle, and I added the black polka dot sashing and cream background. I've loved argyle since I was in high school, so it was really fun to stitch up! I think my Mom will approve of this one, too. I wish I had taken more close up photos of the fabrics; they have really pretty metallic accents. Maybe Kat will do that when the quilt arrives in Texas.
The back is a big chunk of a funky donated mod olive green print, with the leftover squares from the argyles. I left this photo uncropped so we can all enjoy the shadow of my hand on the camera. Apparently I hold my fingers out JUST SO to take pictures, because every single one of these photos have that same shadow!
Three quilts got boxed up today (how appropriate!) and are winging their way to Kat. I would have sent more, but to paraphrase Donald Rumsfield, you to go the post office with the boxes you have. And there are more quilts that finally were photographed today that are ready to feature in my
Giving Orphans a Home series, so stay tuned!
